Wednesday, July 4, 2012
5Ws of... The White House
Friday, February 11, 2011
WHO: Michael S. Smith
In 2008, Barack and Michelle Obama appointed Michael S. Smith to redecorate the residential quarters of the White House. During this project, Smith worked with Michelle Obama and White House curator William Allman to select art on-loan from museums to be displayed in private quarters and elsewhere.
In February 2010, President Obama appointed him a member of the Committee for the Preservation of the White House. Smith's makeover of the Oval Office was revealed to the public in late August 2010.
In an interview with The Washington Post, he describes his style as "updated traditional"; in fact, his work blends vintage and contemporary looks with elements such as "Georgian antiques, Uzbek suzani textiles, 18th-century Chinese wallpaper, sun-bleached Moroccan carpets and a dash of Anthropologie and Pottery Barn".
He has created his own furniture and fabric collection, Jasper, and has licensed collections of tiles and stone for Ann Sacks, vintage and contemporary bathroom fixtures for Kallista, vintage lighting fixtures for Visual Comfort, floorcoverings for Patterson, Flynn & Martin, rugs, carpets and tapestries for Mansour Modern, and home fragrance products for Agraria.
For more information: http://www.michaelsmithinc.com/
Copy and photo via www.michaelssmithinc.com.
WHO: Sister Parish

Sister Parish was the first interior designer brought in to decorate the Kennedy White House, and her influence can still be seen in the Family Dining Room and the Yellow Oval Room.
A stately and occasionally eccentric white-haired lady, Parish was the design partner of Albert Hadley, a Tennessee-born decorator, with whom she co-founded Parish-Hadley Associates (1962-1999). Both were equally influential: Parish for her homey, cluttered traditionalism and passion for patchwork quilts, painted furniture, and red-lacquer secretaries and Hadley for his clean-cut take on modernism.
She was partial to the understated English country house look, and her combinations of Colefax and Fowler chintzes, overstuffed armchairs, and brocade sofas with such unexpected items as patchwork quilts, four-poster beds, knitted throws, and rag rugs led to her being credited with ushering in what became known as American country style during the 1960s.
Copy and photo via Wikipedia.






